Summer of Pain Free Download Series, Part 5: Taylor Savvy

Taylor Savvy is perhaps the most mysterious member of the “Canadian jackass crew” that spawned the WP along with Peaches, Feist, Chilly Gonzales and Mocky. You may have seen Savvy onstage with Mocky, Peach or Jamie Lidell (or, if you’re really old school, in Feist’s band with me and Nathan Lawr way back in the day). He hasn’t unleashed any new Savvy music on the world for some years now, but we hold out hope.

He recorded this demo of ours during our visit to Berlin in the spring of 2009, in his basement studio (which has since been torn down and turned into a parking lot – yep, these kinds of things happen even in Berlin). Stacey made the beat on Savvy’s groovebox and played the live drums, Savvy tweaked some knobs on the box and played the tremolo guitar, and I played the keys and the bad indie-rock guitar. This song hasn’t been recorded in “official” form yet, although it has become one of our favourite songs to play live.

Enjoy!

Magic Touch (Berlin Demo)

 

Summer of Pain Free Download Series, Part 4: Pecora Pecora

Pecora Pecora are a  duo from Montreal with a dreamy analog synth sound and the best stage costumes this side of, well, us. They provide this remix of our song “City Lovers” perfect for the lazy, hazy days.

City Lovers (Pecora Pecora Remix)

Crowdsourced Set List

We are beginning rehearsals with the (awesome) new WP band, and excited to play some shows in the fall for the release of History of Pain, the upcoming fourth WP album.

As my devoted fans know, the career of the WP has been devoted to walking the line between shameless artistic self-indulgence and craven populist entertainment. In light of this, we will be playing the entire new WP album at these shows. But I would also like to play any songs that the people want to hear.

So, we are now taking requests. Any era of the WP is fair game. Let me know what songs you’d like to hear us play, by email (thatworldprovider @ yahoo . com ) or through any of the well-known social networks (maybe not MySpace).

Looking forward to hearing from you!

xo WP.

Summer of Pain Free Download Series, Part 3: Lee Neutron

If you’ve always thought “what the WP sound needs is more AutoTune and shredding,” you will be pleased with the newest installment of the Summer of Pain series. I hope you will be pleased regardless.

Lee Neutron is a longtime associate of the WP who plays in such diverse musical projects as The Sun Through a Telescope, Daiquiri, Street Meat and Lauderdale.

Enjoy!

Naked and Craven (Naked and Unshaven Remix)

 

Summer of Pain Free Download Series, Part 2: Montag

As summer has finally descended upon Montreal, I offer for your enjoyment the second installment of the Summer of Pain series, a collection of remixes, demos and oddities from the WP vaults in anticipation of the new WP album, History of Pain.

This is a remix of our song “21 Guns” by Montag, a long-shining gem of Montreal’s indie-pop community.

Enjoy!

21 Guns (Montag Remix)

Summer of Pain free download series, Part 1: Violence

Hello to all! As the fall release of the new WP album, History of Pain, approaches, I am releasing a series of free downloads of remixes, demos and oddities.

This is the very first – a remix of our song “City Lovers” by the mysterious duo Violence. If you happen to be in the Montreal area, we are playing with them and a bunch of other artists at a free show on Friday June 24 – contact me if interested in attending.

Otherwise, enjoy the music and see you soon!

City Lovers (Violence Remix)

Summer News

A trusted confidant recently commented that the WP site’s latest postings have a “valedictory” quality. So let’s forget about the past for now and concentrate on the (immediate) future! There are some exciting WP events coming up.

WP à la St-Jean (or should I say St-Jean à la WP?)
We are playing a loft party on Friday, June 24, as part of a rock-solid lineup including Why Alex Why, William Crop, Violence, Dj PatAte,  Magnanime, Horticulture and Entre Rien. If you’re interested in attending, please email me (thatworldprovider @ yahoo . com) or contact me through the various social networks to get the address and other info. We’re scheduled to play at “10 or 11” which, by my math, probably means 11ish. Oh and it is a FREE show! Hope to see you there.

Summer of Pain free download series coming soon
Over the past while, I have been commissioning and compiling a series of remixes and demos which will be released for free to my adoring public over the course of the summer. I just got the last one yesterday and it is a fine compilation indeed, featuring many great contributions from Montreal and beyond. There will be more news about this soon, so stay tuned.

New WP video

The video for my song “I Got It All Wrong” by the amazing Sanchez Brothers will be completed soon. It is the most high-concept, high-budget WP video to date, and has spent the last several months in heavy-duty post-production. The late-June completion date is approaching soon…

And of course…

History of Pain – the new WP album!

I recently met with designer Todd Stewart to finalize the (awesome) cover art for the long-awaited new WP album! It is one step closer, and very close, to completion. The album is coming out in September and shows will be announced soon! I am super stoked about this and I look forward to sharing this new music with you all.

That’s about it for now. See you soon!

 

Quick Bit of Lit Crit

It’s my 37th birthday. I’m alone, tipsy, melancholy… a normal February evening.

I’ve been reading a bunch of rock books. These are always good to read, a strange combination of brain candy and inspiration. What follows is the first-ever WP literary review…

Life, by Keith Richards

MSM baby boomers were really excited about this one. I love the Stones (up until the early ‘70s or so, natch) so I was excited to read it too. I have to say it was a little underwhelming. It’s very obvious that the ghostwriter simply had Keith talk his ear off and then transcribed it. I’m fully aware that’s how most autobiographies are written, but in this case it was really blatant. Clearly it was an authorial decision to literally capture the voice, but it was captured a little too authentically, complete with the narrator repeating himself, saying things like “you know what I mean?” and so on. Ultimately it’s a bit like being accosted at a bar by a sozzled senior, who has a lot of great yarns but is still kind of annoying. There’s also a lack of self-awareness that shines through, as you might expect from an addled multi-gazillionaire with a golden horseshoe up his ass. It does have a lot of good stories, though, and I like the nerdy parts where he talks about things like how he tunes his guitar.

Just Kids, by Patti Smith

This got a lot of good reviews too, and I think in this case they were deserved. The book is all about Smith’s relationship with Robert Mapplethorpe when they were struggling artists in New York City back in the day. I liked how Smith honestly portrays her young self as a total dilletante, who wanted to be an artist but didn’t know exactly what she would do and just kind of floundered around for years. It’s no doubt politically incorrect to say so, but just as Richards exhibits typically male characteristics—selfishness, macho posturing, clueless insensitivity—Smith’s book is very feminine in a flaky, witchy kind of way. But her writing style is beautifully simple, and the story is touching and inspiring.

Black Postcards, by Dean Wareham

This came out last year or so and more or less slipped under the radar—somewhat appropriately for the perpetually underrated singer of Galaxie 500, Luna, and now Dean and Britta. Unlike Richards or Smith he never rose to legendary status, and he tells it like it is about the unglamourous side of the music business. The Harvard-educated Wareham is a really good writer—dry, to the point, and sharply critical of others, of trends and music-business sleaze, and—again, unlike Smith or Richards—of himself.

One thing all three books have in common is passages including the writer’s lyrics. Generally, they do not hold up well on the page. It’s almost enough to make me accept David Thomas’ dictum that “printing lyrics is a Bad Thing.”

But I’m being overly critical myself—they are all good reads.

That’s all for now. Last night we finished the final tweaks to the mastering of the new WP album. Exciting. More news on this soon.

Maybe I’m crazy, but…

Going insane is a pretty common lyrical topic in rock music (especially if you listen to a lot of Ozzy Osbourne), and it’s pretty common for me to wonder “Am I losing my mind?” when confronted with some major or minor mental lapse on the day-to-day. But I never really thought about it seriously… until now.

So I got the new Harper’s magazine the other day (yes, I am very urbane, thank you for noticing!) and started reading one of the feature pieces, an article by Rachel Aviv called “Which Way Madness Lies” (not available on their website, sadly) about the possibility of diagnosing schizophrenia before it seriously takes hold.

A really good article, but there were a couple of things that disturbed me. Mainly, a questionnaire developed by a psychiatric institute to detect signs of possible encroaching psychosis. The first question (or at least the first one quoted by Aviv):

Do you daydream a lot or find yourself preoccupied with stories, fantasies, or ideas?

Uh… yeah… who doesn’t? Not, for example, anyone I know. Maybe I should hang out with saner people, but wouldn’t they be kind of boring if they’re not preoccupied with ideas?

The next question:

Do you think others ever say that your interests are unusual or that you are eccentric?

Uh… wait just a second here, do these things make me crazy?!

To my relief, after that the questions get into things that might actually make you crazy, like thinking that the world might not actually exist or that people around you might not be real. I mean, those kinds of thoughts cross my mind from time to time, but not regularly. That’s normal, right?

Later on the article describes the typical personality to later develop schizophrenia:

The only commonalities were that nearly all of them had moved through childhood and adolescence feeling more thoughtful, intelligent, or probing than their family or peers and that there had been an existential tinge to their preoccupations years before their symptoms emerged.

OK, so now I’m starting to get worried, because this basically describes not only my entire childhood and adolescence, but most of my 20s as well. (These days, I’m more likely to feel shrivellingly inferior to others).

I can only come to one of two conclusions: either a) scientists have yet to make a fine distinction between early-onset craziness and creativity, or b) I am at serious risk of going insane.

In other news, a hip underground record label wrote me back recently declining to release the new WP album. (I should stress here that I really, really appreciated the reply, as the overwhelming majority of labels – no matter how half-assed they are, and even those run by people I know personally – don’t even bother to dignify my entreaties with any kind of answer).

Quoth he:
i listened to the album and it has alot of good hooks but it’s not the type of stuff that i’m releasing.
i’m into weirdo synth stuff and outsider rock.

So after a decade of being considered too weird and outsider, all of a sudden I’m not weird or outsider enough.

Sigh. It’s enough to drive a guy…. oh, never mind.

Coupla Shows

So we’re playing this weekend in Montreal and Ottawa. On Friday night at The Playhouse (one of Montreal’s strangest venues, but very accessible to lazy Mile-Enders at 5656 Parc, corner Bernard) with The Man Machine (one of the best bands in Montreal at the moment, IMHO) and Ottawa anthem-mongers Street Meat, then Saturday night in Ottawa with Street Meat and Toronto’s experimental hip-hop artist garbageface.

In my entirely unbiased opinion, these shows will be pretty awesome – a chance to see the WP band in our glorious new post-apocalyptic attire (by our new costume designers Vanessa and Laurence), performing songs from our upcoming new album as well as classics demanded by the public.

They’ll also be your last chance to see us for at least a few months (unless we get a really great offer, which is known to happen from time to time) – Stacey, Steve and I are taking some time off from the WP to concentrate on our roles as sidemen in Lion Farm, the new band (so new we’re not even online!) fronted by my longtime friend and collaborator Michael Aronson aka Mike Foxxx, who old-school/hardcore WP fans may remember as the lead singer and songwriter of Toronto underground rock powerhouses Rock ‘n’ Roll Bad Boy XXXpress and Seventy Whore (bands so old we’re not even online, though I did recently discover some rare archival video of RRBBXXX in our heyday which I will get around to posting one of these days).

In other Montreal cultural news, if you missed The Delian Mode, the award-winning film by WP keyboardist/videographer Kara Blake, it’ll be screening this Thursday as part of an electronic-music-pioneers double bill at Blue Sunshine. Highly recommended.

Finally, wanted to share this link where Brian Eno lays down some seriously thought-provoking musical musings. Yes, it’s on the apparently-no-longer-hip Bitchfork, but still well worth checking out.