2016: The Year in World Providing

After a quiet period, mainly due to the birth of our son, the WP started to get back in action this year. In the spring we released our latest EP Always. Produced by Murray Lightburn and featuring a song co-written with Mocky and a cameo from Chilly Gonzales on piano, it’s been called a return to the “classic” WP sound and, well, what more can I say? I like it, and I hope you do too.

We also put out a video for “Hey Joanne” directed by Montreal artist and musician Bryce Cody.

And we got back on the road! It was a short jaunt, but we had a lot of fun. In Toronto, we were backed by a one-off supergroup featuring three of my favourite musicians and human beings in general: Charlotte Cornfield, Adam Waito and Matt Collins. Here we are performing the title track from Always:

In Montreal, we were joined by our longtime collaborators Gordon Allen and Warren Auld, along with Tim Kingsbury (Sam Patch, Arcade Fire) on guitar. In Ottawa, none of my wish-list guests could make it, so Warren, Gord and I played as a power trio with Stacey’s vocals on top. And that was fun too.

In the fall, we had the opportunity to play at Montreal’s best film festival, the Festival du Nouveau Cinéma, at an afterparty of sorts for our old friend Adam Traynor’s new web series Le Ball-trap. Murray, Warren and Gord filled out the lineup, and José Garcia did some amazing visuals. Here we are performing “Avalanches” from History of Pain:

And to cap the year off, we were included in Sean Michaels’ list of the best songs of 2016. What an honour!

IN OTHER NEWS…

I didn’t see a ton of shows this year, apart from some great bands we shared the stage with such as Triple Gangers, Muelkik, EXE, Douce Angoisse and Sheenah Ko. I did see one show, however, that was very memorable. It was a triple bill of Napalm Death, Melvins and Melt-Banana.

They were all awesome, but the Melvins show was really life-affirming. They have always been one of my favourite bands, but I hadn’t seen them play for years. I noticed that they had a new bass player, and he was giving off a really good vibe. You know when a veteran band has a new, young member who just seems really overjoyed to be onstage with these guys? It was like that, but as I looked closer I realized that this guy wasn’t that young. But he had the energy of a young person, just really getting into it and enjoying himself onstage. Eventually he was introduced and I realized it was Steve McDonald from Redd Kross. I can’t really express how motivating it was to see the enjoyment he was having and putting forth to the audience. The fact that someone can still be that energetic and positive after many years in the music game gave me a much-needed renewal of faith.

The other big thing that happened this year was that Gordon Thomas, who we made a documentary about years ago and stayed friends with for years after, passed away just shy of his 100th birthday. I wrote a few words about him and the experience of visiting him just before he died.

I also wrote about:

I didn’t do a ton of freelance writing this year, but I was happy with this review of gay Québécois wrestling icon Pat Patterson’s autobiography.

2016 was a tough year for a lot of people, and I fear that the next few years may be just as hard or harder. I don’t know what to say or what to do, except to try to be a good person and engage in my community as much as I can. WP-wise, I’ll be working on some new material and a new stage show which I hope to share with as many people as possible.

If you’re reading this, I thank you for your support, I wish you all the best and hope to see you soon!

Things of Note

We’re doing a free show in Montreal, as part of the Festival du Nouveau Cinéma, curated by longtime friend and associate Adam Traynor. Details are to be announced soon, but I can say that it’s on Monday October 10 and that it will be a good lineup. Update: the lineup has been announced! Adam’s totally insane and awesome web series Le Ball Trap will be screening, followed by performances by the WP, Sarah Neufeld (violinist for Arcade Fire and an acclaimed solo artist in her own right) and Le Ball Trap music composer Victor Le Masne. And the whole thing is FREE! More details here.

I recently joined Spotify and have been enjoying it a lot. The “Discover Weekly” playlist is a great feature; I find most online entities’ efforts to target my taste comical to the point of poignancy, but Spotify does a pretty fine job of predicting what I will like. I started compiling a playlist of my own, and plan to update it and create more of them over time. Almost the entire WP catalogue is on there too, as indeed it is on most streaming platforms, so if you too enjoy listening to music this way, check it out.

HistoryOfPain_final_cover

Today is the fifth anniversary of the release of History of Pain. It’s an album that took us a long time to make (we worked on it for at least two years on and off, starting before the previous record Hard Feelings even came out) and one that I like a lot, though I think it’s a bit misunderstood, partly of my own doing.

I sometimes think it’s the most underrated WP album. I’ve been thinking about putting together a “Greatest Hits” compilation for the 20th anniversary of the WP in 2019, and I thought of assembling a parallel “greatest misses” or “shoulda-been hits” collection… but when I started to mentally compile it, almost all the tunes were from History of Pain.

Murray wanted to bring out the garage rock side of the WP, and as it happened, we were listening to a lot of that kind of music at the time. Not the generic three-chord garage stuff, more like a lot of classic power pop and glam rock, and more current stuff like Jay Reatard, Reigning Sound… basically we were listening to WFMU a lot. Plus, I felt like I had really taken the “rock anthems with keyboards instead of guitars” angle as far as it could go. So it seemed to make sense to put the guitars up front.

Somehow, in the promotion of the album, the angle emerged that “they replaced their synths with guitars and changed from electro to garage.” This is a bit misleading; the WP was never really strictly electro, there were guitars on many of the Lost Illusions/Hard Feelings songs, and History of Pain has keyboards on every song but one. But it is a “rock record” for sure, and I think some of the people who dug the raw synth-punk of the early WP were a bit underwhelmed.

Between that, the fact that our distributor went belly-up just before the album came out, and a million other little strokes from the fickle finger of fate, it felt like the record didn’t quite get the attention we thought it deserved. But whatever, I still like it.

Speaking of History of Pain, to promote its release I got a bunch of talented friends to do remixes, and released them for free on this site. For your convenience, this Summer of Pain series is now available on the WP Soundcloud page. Hope you enjoy it!

 

As far as the present and future of the WP, I’m working on some new songs and strategizing my next moves. Wherever you are, I hope to connect with you soon.